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INFORMING  IDEAS

MY DREAM MEDIA CAREER

(Filmmaker/ Director)

WHAT DOES A DIRECTOR DO?

 

Directors are the creative leads of the film. They hold the creative vision throughout the whole process, from pre-production through to the final edit.

 

They are employed by the executive producer or producer, who is ultimately in charge of the production. Directors start with a script, and work with a screenwriter and sometimes a script editing team. It’s not uncommon for the director to be the screenwriter as well.

 

It is the job of a director to imagine the script in a visual form. As soon as the production has raised the cash it needs, either through being funded or commissioned, they work closely with the producers to appoint the heads of department, such as the director of photography, assistant director and production designer.

 

 

They then work with producers and casting directors to select the actors and with the director of photography to develop the filming style, including notes about camera shots and script changes. Some directors rehearse actors ahead of shooting, though not all do. They ‘block’ the performance with the actors before filming begins, meaning they choreograph where actors are positioned, where they will move over the course of a shot and how they will deliver their dialogue.  

 

At the same time, a director will also be instructing other members of the crew, especially lighting, wardrobe and make-up supervisors. Directors work to get the best performance out of the actors but also need to ensure that all technical aspects are in place to get a great scene filmed.

 

After filming, they lead the editing of a film, preparing a ‘director's cut’. That cut will be reviewed by producers and financiers before signing off the final cut.

 

Directors may be employed by TV broadcasters, film or television production companies, or work on a freelance basis.

SKILLS A DIRECTOR NEEDS?

 

  • Leadership: share the vision of the film with a range of people from different departments, inspire them to do their best work, manage the cast and crew, make creative decisions

  • Imagination: envisage the film you want to make, see it, hear it, create the vision and execute it

 

  • Arts knowledge: have a passion for and deep knowledge of film and TV drama, appreciate all genres of art, to be able to draw ideas from a range of sources

 

  • Production: understand the film or TV drama production process from start to finish, from both technical and creative points of view

 

  • Staying calm under pressure: work methodically within a high-stress environment, make creative decisions when things don’t go to plan

WHO WORKS WITH A DIRECTOR?

Directors hold the creative vision for the whole production, so they have relationships with every department head. In pre-production, they work particularly closely with the producers and casting directors. During production, they have close on-set relationships with the director of photography and the first assistant director. In post-production, directors work with editors to ‘cut’ the film or programme to a desirable final product.





 

HOW DO DIRECTORS BEGIN?

 

There are many routes to becoming a director. Some start in theatre, some started as screenwriters, some come up through the assistant director route, others come from the camera department.

 

Whatever the route, this is a role that requires extensive knowledge of the film or TV drama production process. It’s worth starting your career by getting work as a runner on set or in a production office before working your way up through entry-level positions. Go to the camera trainee and floor runner job profiles for more details.

Vittorio De Sica

Bernardo Bertolucci

Billy Wilder

Ingmar Bergman

- Began in Theatre

Alfred Hitchcock

- Began as Title Card Drawer

Stanley Kubrick

- Began as a Photographer

The film industry or motion picture industry comprises the technological and commercial institutions of filmmaking, i.e., film production companies, film studios, cinematography, animation, film production, screenwriting, pre-production, post-production, film festivals, distribution and actors, film directors and other film crew personnel. Though the expense involved in making films almost immediately led film production to concentrate under the auspices of standing production companies, advances in affordable filmmaking equipment, as well as an expansion of opportunities to acquire investment capital from outside the film industry itself, have allowed independent film production to evolve.

 

In 2019, the global box office was worth $42.2 billion. When including box office and home entertainment revenue, the global film industry was worth $136 billion in 2018. Hollywood is the world's oldest national film industry. However, In 2020, China became the largest box office territory, overtaking North America in gross total. The transition, long anticipated by analysts, was accelerated by the COVID-19 pandemic and China's successful containment approach compared to that of the United States, the predominant country in the North American market. Indian cinema is the largest national film industry in terms of the number of films produced, with 1,813 feature films produced annually as of 2018. As of 2011, the national film industries with the highest annual ticket sales worldwide were Indian cinema with 3.5 billion tickets sold, followed by Hollywood with 2.6 billion tickets sold.

 

 

 

 

 

 

 

 

 

 


 

United States Film Industry

 

The cinema of the United States, often generally referred to as Hollywood, has had a profound effect on cinema across the world since the early 20th century. The United States cinema (Hollywood) is the oldest film industry in the world and also the largest film industry in terms of revenue. Hollywood is the primary nexus of the U.S. film industry with established film study facilities such as the American Film Institute, LA Film School and NYFA being established in the area. However, four of the six major film studios are owned by East Coast companies. The major film studios of Hollywood including Metro-Goldwyn-Mayer, 20th Century Fox, and Paramount Pictures are the primary source of the most commercially successful movies in the world, such as Star Wars (1977), and Titanic (1997).

 

American film studios today collectively generate several hundred films every year, making the United States one of the most prolific producers of films in the world. Only The Walt Disney Company — which owns the Walt Disney Studios — is fully based in Southern California. And while Sony Pictures Entertainment is headquartered in Culver City, California, its parent company, the Sony Corporation, is headquartered in Tokyo, Japan. Most shooting now takes place in California, New York, Louisiana, Georgia and North Carolina.[citation needed] Between 2009 and 2015, Hollywood consistently grossed $10 billion (or more) annually. Hollywood's award ceremony, the Academy Awards, officially known as The Oscars, is held by the Academy of Motion Picture Arts and Sciences (AMPAS) every year and as of 2019, more than 3,000 Oscars have been awarded.

United Kingdom's Film Industry

The United Kingdom has had a significant film industry for over a century. While film production reached an all-time high in 1936, the "golden age" of British cinema is usually thought to have occurred in the 1940s, during which the directors David Lean, Michael Powell, (with Emeric Pressburger) and Carol Reed produced their most highly acclaimed work. Many British actors have achieved worldwide fame and critical success, such as Maggie Smith, Roger Moore, Michael Caine, Sean Connery, Daniel Day-Lewis, Gary Oldman, and Kate Winslet. Some of the films with the largest ever box office returns have been made in the United Kingdom, including the third and fourth highest-grossing film series (Harry Potter and James Bond).

 

 

 

 

 

 

 

 

 

 

Two of the top eight highest-grossing films worldwide of all time have some British historical, cultural or creative dimensions: Titanic (1997), Harry Potter and the Deathly Hallows – Part 2 (2011), The Lord of the Rings: The Return of the King (2003), made in New Zealand, and Pirates of the Caribbean: Dead Man's Chest (2005). Adding four more Harry Potter films and one more Lord of the Rings movie, plus the Tim Burton version of Alice in Wonderland (2010), and more than half of the top twenty most financially successful films, had a substantial British dimension.

 

British influence can also be seen with the 'English Cycle' of Disney animated films, which include Alice in Wonderland (1951), Peter Pan (1953), One Hundred and One Dalmatians (1961), The Sword in the Stone (1963), and The Jungle Book (1967). Disney first became interested in live-action films as a means of using financial reserves which had built up in Britain, and could not be repatriated owing to exchange controls, by making two films from Scottish and English sources. These were Treasure Island (1950) and The Story of Robin Hood and His Merrie Men (1952), which were both successes at the box office. The studio continued to draw on British source material for its animated films after Walt Disney's death in 1967, with the cartoon feature films Robin Hood (1973), The Rescuers (1976) and The Many Adventures of Winnie the Pooh (1977), one of many Disney to draw on A. A. Milne's characters.

 

 

In the 1970s and 1980s, British studios established a reputation for great special effects in films such as Superman (1978), Alien (1979), and Batman (1989). Some of this reputation was founded on the core of talent brought together for the filming of 2001: A Space Odyssey (1968) who subsequently worked together on series and feature films for Gerry Anderson. The Bristol-based Aardman Animations is known for its stop-motion animation.

FUTURE PLANS

My plan after I complete my college course, as long I achieve the necessary grades, is to attend Bournemouth University to study film. Although there are obviously many reasons why I made this choice, one of the main reasons was because it will allow me to greatly improve my skills in the process of filmmaking.

Here are some of the skills I hope to improve upon during the next few years at university:

COMMUNICATION

Of all the skills I hope to improve upon, my communication skills are probably the most in need of improvement as I often find myself struggling in most social situations. However, the main reason I want to improve my communication skills is because of how much I struggle expressing my ideas to other people in person.

TEAMWORK

This skill is linked to the previous as I believe I struggle to work within a group as a result of my lacking communication skills. However, I also struggle with creative differences as I always find myself disagreeing with team members during creative processes and so I need to learn how to work with others in order to achieve the best results.

PRACTICAL SKILLS

I also hope to improve my practical skills at university as, especially with the current circumstances, I haven't had very many opportunities at working on them. I hope that university will grant me greater creative freedom with what I create which will allow me to hone my skills in a way that I haven't been able to before.

LEADERSHIP

I also hope to improve my leadership skills so that I can take charge and help guide projects in the direction they need to go without being too overruling which I have been in the past as a result of my inability to explain things effectively. I believe this skill, just as the others, is linked to my communication skills as many problems have arisen as a result and hopefully once I am able to communicate my ideas effectively, I will be more successful at guiding projects.

Whilst considering my plans for the future, I used Career Pilot which is a useful website that allows students to research everything related to future plans to help plan their next steps in their career.

The website has a quiz that you can take to help you identify where your skills lie and which of them needs the most improvement. Afterwards, it gives you a list of your skills alongside a number that represents how good you are at that skill. These were my results:

The website also allows you to have an in-depth look at jobs in every sector and gives information on things such as average salary, working hours, requirements, employment by region, and more.

I had a look at four job roles that I am very interested in which were:

- TV/ Film Director

- Screenwriter

- Writer

- Newspaper Journalist

©2020 by Thomas Dersley.

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